Cuidado, is soft
by Lydia Softson developed at Caraboo Projects during one week residency. A proposal from the transformation of immaterial arises as a mixed media installation.
Serie of replicas of the blue worker jacket, result of its formal study together with an ongoing research on movement and emotions; Cuidado, is soft.
Compilation of drawings which explores the agonic and extraordinary beautiful relation of culture and nature
From some watercolors of Perishable Instants I manipulated them digitally to then print out two silk scarfs. Pictures by Geray Mena
Although we try to catch its various shapes into the unity of images, matter, paints, buildings, feelings, … the beautiful instant flees
Among ma face, manipulation of a watercolors self portrait due to make it wearable. Project developed under Rietveld Uncut, exhibited at Stedelijk Museum, Amsterdam.
There is no finer, richer, more beautiful fabric than the skin of a pretty woman.
Sketchbook of an experimental garments collection which borns into those membranes of relation between our bodies and nature along with its different aesthetic expressions.
We made some merchandising garments for Ulldeter together with Julieta Ferrari.
Stola is a garments collection which arises from my interest into mythology, and so, its aesthetic materialization: the classical sculpture. Through the theoretical and performative research of the myth, I related the claim of truth from mythology as a tool for actually create real, to Merleau Ponty’s theories around the strangeness.
Purity is a project of seashells jewelry. It began on my last holidays when I felt in love with pink mother of pearl shells and I decided to collect some.
Together with Stefano Bona we did the artworks for last Heather LP: Union
Delante de la cara is a research through the role of garments in gender construction. How the performativity of garments, that from the repetition of patterns, produce subjectivities. Being a women as a result of these performativities and the possibilities under the uncontrollable repetition.
Ulldeter and Maria Prats ask me to do some pictures together under the imagery they were working those days.
We were in a garage with a bouncy castle. While we were there spending some time before the launching of the collection, I’ve took the pictures for last De Ubieta’s collection called LF1.
A pleated skirt that opens and intuits the action to expand. It’s the photo and video expression created for the skirt we made in a performance by Fer cosa fora.
Serie de la tierra is a compilation of three actions in which we reflected around the idea of being women as a layer of our body. Always under the metaphor of the body as a landscape.